‘Rescue Me’ gave Ultra their first top ten single. But, rather ironically, that still wasn’t enough to save them.
Eternal – Save Our Love
‘Save Our Love’ was a product of record label contingency planning that Eternal didn’t need. All the same, this was too good not to release.
Lene Marlin – Where I’m Headed
The final single from Lene Marlin’s debut album is another journey into the depths of a complex, talented teenage mind.
Steps – Better The Devil You Know
The final Christmas chart battle of the millennium(!) saw Steps enter the fray with their take on a Kylie Minogue classic.
S Club 7 – You’re My Number One
‘You’re My Number One’ is indelibly tied to S Club 7’s formative years in look and sound, but established a reliable formula for the group.
Emma Bunton – We’re Not Gonna Sleep Tonight
‘We’re Not Gonna Sleep Tonight’ was remixed into a Latin-tinged uptempo. But did this girl power anthem sound a bit too familiar?
Rachel Stevens – Funky Dory
Rachel Stevens’ second single found her sampling David Bowie. But was this work of pop art just a bit too abstract for the mainstream?
Blackstreet & Mýa (Feat. Ma$e & Blinky Blink)
‘Take Me There’ set a new standard for soundtrack singles, fusing cool R&B with…the ‘Rugrats’ theme tune!?
Steps – Words Are Not Enough
Coming off the back of a greatest hits collection and amid rumours of an impending split, Steps wouldn’t leave us with a ballad…would they?
Atomic Kitten – You Are
‘You Are’ was a surefire hit to round off Atomic Kitten’s debut album…but ended up not being released at all in the UK.
Hear’Say – Everybody
‘Everybody’ marked the launch of Hear’Say’s second album. But coming just eight months after their first, was this too much, too soon?
S Club – Alive
‘Alive’ ended up serving as more of an epilogue to S Club’s career, but for a brief moment it heralded a new era for the group.