‘Come On Over Baby (All I Want Is You)’ is – for better or for worse – the perfect summation of Christina Aguilera as a pop artist.
Holly Valance – State Of Mind
‘State Of Mind’ was a brief, brilliant flash of genius from Holly Valance…but that wasn’t enough to stop it becoming her final single.
Martine McCutcheon – I’m Over You
Martine McCutcheon turned up to play the pop game with her second album, and ‘I’m Over You’ was the perfect re-introduction.
Spice Girls – Holler
Somewhere within the contentious ‘Forever’ project lies a very good song in ‘Holler’. If you can disassociate it from the Spice Girls…
Tina Turner – When The Heartache Is Over
Driven by the success of Cher’s ‘Believe’, Tina Turner staged a magnificent, synth-laden comeback with ‘When The Heartache Is Over’.
Britney Spears – I’m A Slave 4 U
From the opening beats of ‘I’m A Slave 4 U’, it became evident that Britney Spears’ career was about to change forever.
Lisa Scott-Lee – Electric
In 2005, Lisa Scott-Lee did a deal with the reality-TV devil and landed herself a show on MTV…but it came at a high price.
Steps – After The Love Has Gone
‘After The Love Has Gone’ saw Steps draw on one of their biggest hits and give it a very Oriental twist.
Supersister – Coffee
Forget the quaint British tradition of tea-drinking. Supersister’s debut single was a celebration of coffee…and sex.
LeAnn Rimes – Life Goes On
‘Life Goes On’ may have been one of the most pleasant coming-of-age anthems, but it wound up becoming one of the most controversial.
Steps – One For Sorrow (Tony Moran US Remix)
The release of ‘One For Sorrow (Tony Moran US Remix)’ in 2001 saw the Steps story come full-circle as the track once again peaked at #2.
Clea – Download It
‘Download It’ saw Clea break out from the towering shadow of Girls Aloud with a sultry slow-jam about…well, you can probably guess.